{"id":65179,"date":"2023-11-01T12:30:49","date_gmt":"2023-11-01T15:30:49","guid":{"rendered":"https:\/\/vocesparalelas.com.ar\/sitio\/?p=65179"},"modified":"2023-11-01T16:45:22","modified_gmt":"2023-11-01T19:45:22","slug":"ciclo-de-musica-de-camara-de-la-ffha-de-la-unsj-en-el-auditorio-ing-juan-victoria","status":"publish","type":"post","link":"https:\/\/vocesparalelas.com.ar\/sitio\/ciclo-de-musica-de-camara-de-la-ffha-de-la-unsj-en-el-auditorio-ing-juan-victoria\/","title":{"rendered":"Ciclo de M\u00fasica de C\u00e1mara de la FFHA de la UNSJ en el Auditorio Ing. Juan Victoria"},"content":{"rendered":"<p>El Mi\u00e9rcoles, 1 de Noviembre, a las 21 hs.; en el Auditorio Ing. Juan Victoria, se desarrolla el Ciclo de M\u00fasica de C\u00e1mara de la FFHA de la UNSJ, de la c\u00e1tedra de M\u00fasica de C\u00e1mara. La entrada es libre y gratuita.<\/p>\n<p>Por ello, Voces Paralelas desarroll\u00f3 una entrevista period\u00edstica al Integrante del Centro de Creaci\u00f3n Art\u00edstica Orquestal de la FFHA de la UNSJ, Prof. Pablo Blanco, quien describi\u00f3 lo que significa el Ciclo de M\u00fasica de C\u00e1mara, donde participan docentes y alumnos.<\/p>\n<p><iframe loading=\"lazy\" title=\"FFHA UNSJ PROF PABLO BLANCO\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/zI-CtZwHef8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"color: #339966;\">Programa<\/span><\/strong><\/p>\n<p>David Anderson (n. 1949)<\/p>\n<p>De \u201cSiete D\u00faos para Contrabajos\u201d<\/p>\n<ul>\n<li>Kibbles and Kibitz<\/li>\n<li>Parade of the Politically Prudent Pigs<\/li>\n<li>Lament<\/li>\n<li>Blew Cheeze<\/li>\n<li>Rush Hour<\/li>\n<\/ul>\n<p>Daniel Fern\u00e1ndez y Delfina Maschio (Contrabajos)<\/p>\n<p>Wolfgang Amadeus Mozart (1756-1791)<\/p>\n<p>Sonata en Do Mayor (K. 19d), para Piano a Cuatro Manos:<\/p>\n<ul>\n<li>Allegro<\/li>\n<li>Menuetto<\/li>\n<li>Rond\u00f3<\/li>\n<\/ul>\n<p>Delfina Fr\u00edas (Piano Primero) y Santiago Albeiro (Piano Segundo)<\/p>\n<p>Robert Schumann (1810-1856)<\/p>\n<p>Cinco Piezas de Estilo Folkl\u00f3rico, Op. 102<\/p>\n<ol>\n<li>Mit Humor \u201cVanitas vanitatum\u201d<\/li>\n<li>Langsam<\/li>\n<li>Nicht schnell, mit viel Ton zu spielen<\/li>\n<li>Nicht zu rasch<\/li>\n<li>Stark und markirt<\/li>\n<\/ol>\n<p>Cecilia P\u00e9rez (Cello) y Claudia Pereyra (Piano)<\/p>\n<p>Robert Schumann (1810-1856)<\/p>\n<p>Tres Piezas de Fantas\u00eda, Op. 73<\/p>\n<ul>\n<li>Zart und mit Ausdruck<\/li>\n<li>Lebhaft, leicht<\/li>\n<li>Rasch und mit Feuer<\/li>\n<\/ul>\n<p>Gaspar Videla Montenegro (Clarinete) y Maximiliano Gili (Piano)<\/p>\n<p>Tom Gauger (n. 1935)<\/p>\n<p>\u201cWellington 22\u201d para Tambores y Tom-toms<\/p>\n<p>Mariano Malla y Diego Guill\u00e9n (Percusi\u00f3n)<\/p>\n<p>Carlos Florit Servetti (n. 1956)<\/p>\n<p>Umbrales I y II, Op. 70b (Estreno)<\/p>\n<p style=\"padding-left: 40px;\">I. Andante<\/p>\n<p style=\"padding-left: 40px;\">II. Adagio-Allegro<\/p>\n<p>Carlos Beresi (Vibr\u00e1fono) y Patricia Maya (Clarinete)<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-61468\" src=\"https:\/\/vocesparalelas.com.ar\/sitio\/wp-content\/uploads\/2023\/07\/AUDITORIO-EDIFICIO.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https:\/\/vocesparalelas.com.ar\/sitio\/wp-content\/uploads\/2023\/07\/AUDITORIO-EDIFICIO.jpg 800w, https:\/\/vocesparalelas.com.ar\/sitio\/wp-content\/uploads\/2023\/07\/AUDITORIO-EDIFICIO-300x200.jpg 300w, https:\/\/vocesparalelas.com.ar\/sitio\/wp-content\/uploads\/2023\/07\/AUDITORIO-EDIFICIO-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>El Mi\u00e9rcoles, 1 de Noviembre, a las 21 hs.; en el Auditorio Ing. Juan Victoria, se desarrolla el Ciclo de<\/p>\n","protected":false},"author":3,"featured_media":65182,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_robots_primary_cat":"none","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","footnotes":""},"categories":[1,7],"tags":[],"class_list":["post-65179","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-destacadas","category-videos"],"acf":[],"_links":{"self":[{"href":"https:\/\/vocesparalelas.com.ar\/sitio\/wp-json\/wp\/v2\/posts\/65179","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vocesparalelas.com.ar\/sitio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vocesparalelas.com.ar\/sitio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vocesparalelas.com.ar\/sitio\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/vocesparalelas.com.ar\/sitio\/wp-json\/wp\/v2\/comments?post=65179"}],"version-history":[{"count":1,"href":"https:\/\/vocesparalelas.com.ar\/sitio\/wp-json\/wp\/v2\/posts\/65179\/revisions"}],"predecessor-version":[{"id":65183,"href":"https:\/\/vocesparalelas.com.ar\/sitio\/wp-json\/wp\/v2\/posts\/65179\/revisions\/65183"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vocesparalelas.com.ar\/sitio\/wp-json\/wp\/v2\/media\/65182"}],"wp:attachment":[{"href":"https:\/\/vocesparalelas.com.ar\/sitio\/wp-json\/wp\/v2\/media?parent=65179"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vocesparalelas.com.ar\/sitio\/wp-json\/wp\/v2\/categories?post=65179"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vocesparalelas.com.ar\/sitio\/wp-json\/wp\/v2\/tags?post=65179"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}