{"id":12367,"date":"2018-06-14T17:31:28","date_gmt":"2018-06-14T20:31:28","guid":{"rendered":"http:\/\/vocesparalelas.com.ar\/sitio\/?p=12367"},"modified":"2018-06-14T17:31:28","modified_gmt":"2018-06-14T20:31:28","slug":"la-musica-nacionalista-argentina-para-piano-de-angel-lasala","status":"publish","type":"post","link":"https:\/\/vocesparalelas.com.ar\/sitio\/la-musica-nacionalista-argentina-para-piano-de-angel-lasala\/","title":{"rendered":"\u00abLa m\u00fasica nacionalista argentina para piano de \u00c1ngel Lasala\u00bb"},"content":{"rendered":"<p>El \u00a0Jueves, 14 de Junio, a las 21.30 hs.; en el Auditorio Ing Juan Victoria la Prof. Ana Mar\u00eda Portillo interpreta al piano\u00a0 obras del\u00a0 compositor y pianista argentino \u00c1ngel Lasala (1914-2000).<\/p>\n<p>El concierto titulado \u00abLa m\u00fasica nacionalista argentina para piano de \u00c1ngel Lasala\u00bb incluye composiciones que evocan ritmos, melod\u00edas, danzas e instrumentos folcl\u00f3ricos, paisajes y habitantes campesinos,\u00a0 en las que tambi\u00e9n manifiesta Lasala su admiraci\u00f3n por compositores ic\u00f3nicos nacionalistas como Alberto Williams, Juli\u00e1n Aguirre\u00a0 y Carlos L\u00f3pez Buchardo.<\/p>\n<p>Ana Mar\u00eda Portillo Interpreta las siguientes obras: Pampeana (1952), Serrana( (1949), Impresiones de mi tierra. Cuadernos 1 y 2 (1939-1942), Leyenda del viejo aparcero (1940),Cantar(1950) y Cinco Preludios Nacionales (1970).<\/p>\n<p>El bono contribuci\u00f3n es de $50.<\/p>\n<p>Este recital de piano denominado es parte de la pr\u00f3xima defensa de su\u00a0 tesis \u00abLa ret\u00f3rica del nacionalismo musical argentino en Impresiones de mi tierra de \u00c1ngel Lasala\u00bb de la Maestr\u00eda en \u00abInterpretaci\u00f3n de M\u00fasica Latinoamericana del siglo XX\u00bb de la UNCuyo.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>El \u00a0Jueves, 14 de Junio, a las 21.30 hs.; en el Auditorio Ing Juan Victoria la Prof. Ana Mar\u00eda Portillo<\/p>\n","protected":false},"author":3,"featured_media":4322,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","footnotes":""},"categories":[1],"tags":[],"class_list":["post-12367","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-destacadas"],"acf":[],"_links":{"self":[{"href":"https:\/\/vocesparalelas.com.ar\/sitio\/wp-json\/wp\/v2\/posts\/12367","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vocesparalelas.com.ar\/sitio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vocesparalelas.com.ar\/sitio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vocesparalelas.com.ar\/sitio\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/vocesparalelas.com.ar\/sitio\/wp-json\/wp\/v2\/comments?post=12367"}],"version-history":[{"count":0,"href":"https:\/\/vocesparalelas.com.ar\/sitio\/wp-json\/wp\/v2\/posts\/12367\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vocesparalelas.com.ar\/sitio\/wp-json\/wp\/v2\/media\/4322"}],"wp:attachment":[{"href":"https:\/\/vocesparalelas.com.ar\/sitio\/wp-json\/wp\/v2\/media?parent=12367"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vocesparalelas.com.ar\/sitio\/wp-json\/wp\/v2\/categories?post=12367"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vocesparalelas.com.ar\/sitio\/wp-json\/wp\/v2\/tags?post=12367"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}