{"id":102502,"date":"2026-08-24T15:37:16","date_gmt":"2026-08-24T18:37:16","guid":{"rendered":"https:\/\/vocesparalelas.com.ar\/sitio\/?p=102502"},"modified":"2026-08-25T20:17:28","modified_gmt":"2026-08-25T23:17:28","slug":"xi-jornadas-arq-s20-lac-2026-el-movimiento-moderno-en-latinoamerica-en-edificios-publicos-y-educativos","status":"publish","type":"post","link":"https:\/\/vocesparalelas.com.ar\/sitio\/xi-jornadas-arq-s20-lac-2026-el-movimiento-moderno-en-latinoamerica-en-edificios-publicos-y-educativos\/","title":{"rendered":"XI Jornadas ARQ S20 LAC 2026 \u201cEl Movimiento Moderno en Latinoam\u00e9rica en edificios p\u00fablicos y educativos\u201d"},"content":{"rendered":"<p>El Grupo de Trabajo de Latinoam\u00e9rica del Comit\u00e9 de Patrimonio del Siglo XX de ICOMOS junto con el Instituto de Teor\u00eda, Historia y Cr\u00edtica del Dise\u00f1o \u201cArq. Nello Raffo\u201d IDIS\u2013FAUD\u2013UNSJ, invitan a participar de las XI Jornadas ARQ S20 LAC 2026, dedicadas a\u00a0\u201cEl Movimiento Moderno en Latinoam\u00e9rica en edificios p\u00fablicos y educativos\u201d<\/p>\n<p>La jornada cuenta con la participaci\u00f3n de referentes acad\u00e9micos de Argentina, Chile y Colombia, quienes comparten investigaciones y reflexiones sobre el patrimonio moderno de la regi\u00f3n.<\/p>\n<ul>\n<li>27 de agosto de 2026<\/li>\n<li>18:00 h \u00b7 Argentina (UTC\u22123)<\/li>\n<li>Modalidad h\u00edbrida<\/li>\n<li>Presencial: Sala de Teleconferencias de la FAUD\u2013UNSJ<\/li>\n<li>Virtual: plataforma Zoom<\/li>\n<\/ul>\n<p>Actividad gratuita, con cr\u00e9ditos acad\u00e9micos para estudiantes de las 3 carreras de la FAUD.<\/p>\n<p><span style=\"color: #ff6600;\"><strong>Disertantes<\/strong><\/span><\/p>\n<p><span style=\"color: #ff6600;\"><strong>Arq. Josefina Atria Mira CHL<\/strong><\/span><\/p>\n<ul>\n<li>La arquitectura del movimiento moderno, nueva vida para una antigua ciudad. La reconstrucci\u00f3n de Chill\u00e1n<\/li>\n<\/ul>\n<p><strong><span style=\"color: #ff6600;\">Arq. C\u00e9sar Velandia. COL<\/span><\/strong><\/p>\n<ul>\n<li>La obra de Juvenal Moya Cadena en Ibagu\u00e9 (1952-1958)<\/li>\n<\/ul>\n<p><strong><span style=\"color: #ff6600;\">Arq. Julio Santana. ARG<\/span><\/strong><\/p>\n<ul>\n<li>La Casa Curutchet de La Plata. Una obra maestra dentro otra obra maestra<\/li>\n<\/ul>\n<p><span style=\"color: #ff6600;\"><strong>Arq. Jorge Mart\u00edn. ARG<\/strong><\/span><\/p>\n<ul>\n<li>Auditorio Juan Victoria, historia de la casa de la m\u00fasica en San Juan en clave moderna<\/li>\n<\/ul>\n<p><strong><span style=\"color: #ff6600;\">Esp. Arq. Fernando Giudici ARG<\/span><\/strong><\/p>\n<ul>\n<li>El Bus del Croquis. Registro urbano y modernidad en San Juan<\/li>\n<\/ul>\n<p><strong><span style=\"color: #ff6600;\">Arqs. Cristina Monfort, Militza Laciar, Cecilia Ros\u00e9s, Gabriel Ruiz y DG. Valent\u00edn D\u00edaz\u00a0ARG<\/span><\/strong><\/p>\n<ul>\n<li>Patrimonio arquitect\u00f3nico urbano del movimiento moderno en el Eje C\u00edvico de la ciudad de San Juan. Pasado y presente<\/li>\n<\/ul>\n<p><strong><span style=\"color: #ff6600;\">Arqs. Gabriela Santiba\u00f1ez, Graciela Moretti y Carlos Sala. ARG<\/span><\/strong><\/p>\n<ul>\n<li>Ramos Correas y su participaci\u00f3n en la reconstrucci\u00f3n de San Juan: obras escolares, religiosas y residenciales<\/li>\n<\/ul>\n<p><strong><span style=\"color: #ff6600;\">Organizan<\/span><\/strong><\/p>\n<ul>\n<li>ARQ $20 LAC<\/li>\n<li>Instituto de Teor\u00eda, Historia y Cr\u00edtica del Dise\u00f1o \u201cArq. Nello Raffo\u201d<\/li>\n<li>FAUD de la UNSJ<\/li>\n<li>UNSJ<\/li>\n<li>ISC 20C<\/li>\n<\/ul>\n<p><strong><span style=\"color: #ff6600;\">Auspician<\/span><\/strong><\/p>\n<ul>\n<li>CENTRO DE INGENIEROS DE SAN\u00a0JUAN<\/li>\n<li>ICOMOS Chile<\/li>\n<li>ICOMOS ARGENTINA<\/li>\n<li>COLEIO ARQUITECTOS S DE SAN JUAN<\/li>\n<\/ul>\n<p><strong><span style=\"color: #ff6600;\">Inscripci\u00f3n<\/span><\/strong><\/p>\n<p><a href=\"https:\/\/forms.gle\/RWZuS2xY5oYcJrhX7\">https:\/\/forms.gle\/RWZuS2xY5oYcJrhX7<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_24036\" aria-describedby=\"caption-attachment-24036\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-24036\" src=\"https:\/\/vocesparalelas.com.ar\/sitio\/wp-content\/uploads\/2019\/10\/FAUD-EDIFICIO-BANDERA-01-800x528.jpg\" alt=\"\" width=\"800\" height=\"528\" srcset=\"https:\/\/vocesparalelas.com.ar\/sitio\/wp-content\/uploads\/2019\/10\/FAUD-EDIFICIO-BANDERA-01.jpg 800w, https:\/\/vocesparalelas.com.ar\/sitio\/wp-content\/uploads\/2019\/10\/FAUD-EDIFICIO-BANDERA-01-300x198.jpg 300w, https:\/\/vocesparalelas.com.ar\/sitio\/wp-content\/uploads\/2019\/10\/FAUD-EDIFICIO-BANDERA-01-768x507.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-24036\" class=\"wp-caption-text\">Facultad de Arquitectura, Urbanismo y Dise\u00f1o de la Universidad Nacional de San Juan, Rep\u00fablica Argentina<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>El Grupo de Trabajo de Latinoam\u00e9rica del Comit\u00e9 de Patrimonio del Siglo XX de ICOMOS junto con el Instituto de<\/p>\n","protected":false},"author":3,"featured_media":28410,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","footnotes":""},"categories":[15],"tags":[],"class_list":["post-102502","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-posgrados"],"acf":[],"_links":{"self":[{"href":"https:\/\/vocesparalelas.com.ar\/sitio\/wp-json\/wp\/v2\/posts\/102502","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vocesparalelas.com.ar\/sitio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vocesparalelas.com.ar\/sitio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vocesparalelas.com.ar\/sitio\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/vocesparalelas.com.ar\/sitio\/wp-json\/wp\/v2\/comments?post=102502"}],"version-history":[{"count":3,"href":"https:\/\/vocesparalelas.com.ar\/sitio\/wp-json\/wp\/v2\/posts\/102502\/revisions"}],"predecessor-version":[{"id":102505,"href":"https:\/\/vocesparalelas.com.ar\/sitio\/wp-json\/wp\/v2\/posts\/102502\/revisions\/102505"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vocesparalelas.com.ar\/sitio\/wp-json\/wp\/v2\/media\/28410"}],"wp:attachment":[{"href":"https:\/\/vocesparalelas.com.ar\/sitio\/wp-json\/wp\/v2\/media?parent=102502"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vocesparalelas.com.ar\/sitio\/wp-json\/wp\/v2\/categories?post=102502"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vocesparalelas.com.ar\/sitio\/wp-json\/wp\/v2\/tags?post=102502"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}